A bright yet reclusive psychic and four techie ghost hunters go to the rural estate of a fashion mogul to investigate the mysterious disappearance of her teen daughter and look into the urban legend of a ghost that kills phone addicts.

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Tokyo’s nasty underside, seen primarily through the eyes of Oscar, a druggie, whose sister Linda is a stripper. Oscar also has flashbacks to his childhood when trauma upends the siblings. Oscar’s drug-fed hallucinations alter Tokyo’s already-disconcerting nights, and after the police shoot him, he can float above and look down: on his sister’s sorrow, on the rooms of a love hotel, and on life at even a molecular level. The spectrum’s colors can be beautiful; it’s people’s colorless lives that can be ugly. And what of afterlife, is there more than a void?

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The 171-minute director’s cut restores nearly 24 minutes of additional scenes that were not included in the original cut. This version adds more graphic violence and extends many preexisting scenes. The biggest chunk of new footage added, as director Ari Aster acknowledges, is the subplot of Christian researching for his anthropology thesis.

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Hunted by mercenaries, Brandon Beckett and his legendary father mount an impossible rescue mission.

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A police officer tracks a killer after her husband, a highway patrolman, becomes one of his victims.

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Mi-Young runs a shop at a traditional market, where she makes and sells twisted bread sticks. Her husband Seok-Hwan works as a computer repairman. One day, Seok-Hwan wins a free trip to Hawaii. Mi-Young and Seok-Hwan will go on their first international trip together. When Mi-Young and Seok-Hwan get on the airplane to Hawaii, things don’t go as expected. Terrorists, including Cheol-Seung who chase after a secret agent, get on the same airplane. The passengers soon become hostages. Suddenly, Mi-Young and Seok-Hwan begin to rescue the passengers.

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Benny works for old school crime boss Abe, Abe has multiple personalities and is in a gang war with the notorious Frankie. Kane is the deadliest of Abe’s personalities, the next 24 hours will be a killer. Today is a good day to die.

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A 1939 test pilot asks his best friend to use him as a guinea pig for a cryogenics experiment. Daniel McCormick wants to be frozen for a year so that he doesn’t have to watch his love lying in a coma. The next thing Daniel knows is that he’s been awoken in 1992.

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Rick Rainsford is trapped on a deserted island with his reluctant companion, Anna. While attempting to save another gravely injured survivor they find themselves hunted by Zaroff, a sociopathic ex-KGB Agent long with his partner Ivan. In spite of their differences Rick and Anna must work together to disarm Zaroff’s deadly traps, survive his assistant’s brutal attacks, and escape the island alive.

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Yorgos Lanthimos’s movies love to flirt ‘often comically’ with horror: the fear that behind the façade of society is a gaping maw of existential terror. In this dastardly short, a shrewdly cast Matt Dillon realizes that no role in life is irreplaceable. Suddenly, nothing is safe not even ourselves.

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Jack Tyson is a young man partaking in an illegal Mexico to California car race when a desperate woman, fleeing from her abusive gangster boyfriend who is financing the tournament, jumps into his car pleading for his help and who has an incriminating USB drive that could send her thug boyfriend, among others, to prison.

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A nameless fallen angel descends to Earth seeking redemption for the death of a young innocent who perished while under his protection. Sixteen years ago, the angel appeared on Earth. His mission was to protect a child, but he failed. Now the angel is back. He’s taken human form, but the wounds on his back betray his appearance. As Lucille prepares to confess to a priest, it soon becomes apparent that the angel may be nothing more than a personification of a grieving mother’s all-consuming madness.

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