One of the world’s biggest bands return to the scene of their Live Aid (1985) triumph a year earlier to play all their greatest hits in front of a packed Wembley Stadium.

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The Royal Ballet performs Tchaikovsky’s magnificent classical ballet in a brand new production by the brilliant young choreographer Liam Scarlett, with sumptuous and evocative designs by John Macfarlane. The Royal Ballet’s new production of this iconic classic – the first in over 30 years at Covent Garden – garnered 5-star reviews when it opened in May 2018. Starring the Argentinian ballerina Marianela Nunez in the hugely challenging dual role of Odette/Odile, with Vadim Muntagirov as Prince Siegfried, the ballet is a showcase for the whole company, who dazzle in full royal finery during the ball at the palace and in delicate feathered tutus as flocks of swans in the unforgettable scenes at the moonlit lake.

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On April 20th 1992, Roger Taylor, Brian May and John Deacon, the surviving members of Queen, took to the stage at Wembley Stadium for the start of one of the biggest events in rock history, which the band had organized to pay tribute to their former colleague the incomparable Freddie Mercury.

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Filmmaker Kevin Macdonald examines the life and career of singer Whitney Houston. Features never-before-seen archival footage, exclusive recordings, rare performances and interviews with the people who knew her best.

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Veronica Sawyer does her best to survive her senior year while navigating the beautiful but cruel Heathers, the new to school Jason “J.D.” Dean, and the constant pressure to fit in with everyone else.

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With a hugely successful career stretching back into the fifties, James Last has proved himself to be one of the greatest entertainers in the world of music. The James Last Orchestra is the most successful big band in chart history and they have sold in excess of 50 million albums worldwide. This spectacular show was filmed in high definition at London s Royal Albert Hall on James Last s 2007 tour and captures the James Last Orchestra at the top of their game in front of a wildly enthusiastic sell out crowd who fervently believe in audience participation.

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Filmed 25th Anniversary Gala Performance of the new London production of Boublil and Schönberg’s ‘Miss Saigon’, performed and recorded in front of a live audience at the Prince Edward Theater in London’s West End on 22 September 2014, then screened in select cinemas throughout the US on 22 September 2016 and in cinemas across the UK on 16 October 2016.

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Based on Michael Morpurgo’s novel and adapted for the stage by Nick Stafford, War Horse takes audiences on an extraordinary journey from the fields of rural Devon to the trenches of First World War France. Filled with stirring music and songs, this powerfully moving and imaginative drama is a show of phenomenal inventiveness. At its heart are astonishing lifesized puppets by South Africa’s Handspring Puppet Company, who bring breathing, galloping, charging horses to thrilling life on stage.

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Performed on a specially constructed floating stage in Lake Las Vegas, a resort community 20 miles south of Las Vegas, this historic performance captures Andrea Bocelli’s first ever pop concert. Under the Desert Sky, which co-stars Tony winner Heather Headley (Elton John’s Aida), represents a new era for the Tuscan-born singer. Spanish guitars flourish, traditional Latin percussion seductively keeps the tempo, accordions and harmonicas provide haunting ambience.

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Musicians’ loss is often fans’ gains. Divorce has given us some of the best music of the twentieth century, touring is a monstrous hardship that gives us live music; sometimes managers run off with an artist’s nest egg, forcing the artists out of retirement to become financially solvent. The latter happened to Leonard Cohen, and it forced the 73-year-old Canadian bard to embark on his first tour in over a decade. In 2008 most of his dates were confined to Europe, and 2009 saw him hit American shores, bringing his unique blend of music and poetry. The Live in London DVD is taken from a show on July 17th at London’s O2 arena.

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At long last everyone can see this magnificent musical extravaganza for the first time in your own home! In 1986, Andrew Lloyd Webber’s Phantom of the Opera arrived on the West End stage at Her Majesty’s Theatre. Fast forward 25 years and Phantom has achieved global success, millions of viewers, a film adaptation in 2004 and a musical sequel. Now viewers have the chance to experience this phenomenal show right from their own screens.

Filmed at the Royal Albert Hall, this stunning performance brings the show to a bigger stage and celebrates its role as one of the biggest shows in theatre history, with speeches, performances and appearances by the original cast and some of the show’s most notable Phantoms, including John Owen Jones and Colm Wilkinson. Starring Ramin Karimloo and Sierra Boggess, Phantom tells the story of a deformed musical genius who lives in the catacombs of the Paris Opera House. Shunned by society, the Phantom seeks revenge in cruel and often violent acts.

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Three generations of rock guitarists come together for It Might Get Loud, a 2009 documentary directed by Davis Guggenheim. These are not just your garden-variety guitar gods: Jimmy Page, in his mid-’60s at the time of the film, founded Led Zeppelin, who dominated the 1970s following the breakup of the Beatles. As a member of U2, 48-year-old David Evans, better known as the Edge, created one of the most distinctive and influential sounds of the past quarter century. And 34-year-old Jack White was described by one music publication as “the most significant rock ‘n’ roll figure of the past ten years.” Guggenheim, who followed the three around for the better part of a year, takes us into their individual lives, past and present. There are shots of Page as a young London session musician, with the Yardbirds and Zeppelin, at Headley Grange (the estate where much of the fourth Zep album was made), and at home with his record collection. The Edge takes us to the Dublin classroom where U2 first rehearsed, as well as to the practice room he uses now; and White, whose insistence on authenticity is admirable but perhaps a tad self-conscious, constructs a “guitar” from a plank of wood, a piece of wire, and a Coke bottle. The three also converge on a Hollywood sound stage, where they chat and a do a little jamming on Zep’s “In My Time of Dying” (with all three playing slide guitar) and the Band’s “The Weight.”

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