Darkness has settled over New York City as Shredder and his evil Foot Clan have an iron grip on everything from the police to the politicians. The future is grim until four unlikely outcast brothers rise from the sewers and discover their destiny as Teenage Mutant Ninja Turtles. The Turtles must work with fearless reporter April O’Neil and her cameraman Vern Fenwick to save the city and unravel Shredder’s diabolical plan.
When an infamous “cursed” Egyptian sarcophagus falls into the hands of unscrupulous huckster Everett Randolph, he becomes obsessed with resurrecting the mummified princess held within it.
Two rival toy shop owners reluctantly join forces when an unscrupulous toy magnate opens a box store in their town.
A doctor travels to a remote plantation to care for a disturbed boy who has inexplicable abilities. She ignites a war of science versus religion with the local priest who believes the boy is possessed by the Devil.
In the cold streets of Charlotte, where murder is on the rise, a drug deal gone wrong has now created a who done it in the city with the cops chasing the city’s notorious Thugs.
A brilliant and charismatic, yet psychotic serial killer communicates with other active serial killers and activates a cult of believers following his every command.
Three world-class directors put their auteurist stamps on this anthology of films dealing with sex, desire, and obsession. One each from directors Michelangelo Antonioni, Steven Soderbergh and Wong Kar Wai.
A three-part anthology film about love and sexuality: a menage-a-trois between a couple and a young woman on the coast of Tuscany; an advertising executive under enormous pressure at work, who, during visits to his psychiatrist, is pulled to delve into the possible reasons why his stress seems to manifest itself in a recurring erotic dream; and a story of unrequited love about a beautiful, 1960s high-end call girl in an impossible affair with her young tailor.
A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the “well-known unmarried half-a-millionaire,” Horace Vandergelder. While there, she convinces him, his two stock clerks and his niece and her beau to go to New York City. In New York, she fixes Vandergelder’s clerks up with the woman Vandergelder had been courting, and her shop assistant (Dolly has designs of her own on Mr. Vandergelder, you see).
After a pawn shop robbery goes askew, two criminals take refuge at a remote farmhouse to try to let the heat die down, but find something much more menacing.
A recovering alcoholic and jazz pianist in NYC confronts his acerbic family during their annual Fourth of July vacation.
Following 1939’s “The Phantom Stage”, the last of 12 series westerns made at Universal by Trem Carr and Paul Malvern starring Bob Baker, Universal kicked off a new series of six starring their new series-sign Johnny Mack Brown (who had already starred in three Universal serials with one more to go.) Baker was now odd-man-out at the studio as his contract had been with Trem Carr, and Carr and associate Malvern had moved over to Monogram to begin a series of four “Tailspin Tommy” features. Universal, usually late to the party anyway, added Baker and comedian Fuzzy Knight to the first-six Brown films to form a trio angle along the lines of Republic’s highly successful “Three Mesquiteers” series, but there were no continuing roles in these films—they even killed Baker off in the 2nd film—and Baker’s 2nd-lead soon went to 3rd-lead (behind Knight) and then to “gone” after the sixth film. When Bob Baker was next seen in a film at Universal, it was as the uncredited bus driver in Abbott
