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When her daughter begins to make life decisions with her boyfriend, a controlling single mother tries her best to intervene. However, tables start to turn as she earns the ire of her daughter for getting into a relationship with a young businessman.
A psychological thriller centered around a black-ops interrogator and an FBI agent who press a suspect terrorist into divulging the location of three nuclear weapons set to detonate in the U.S.
Adapted from the novel, “Addie Pray” (1971) by Joe David Brown, PAPER MOON is the story of Moses Pray and Addie Loggins. With scenery reminiscent of “The Grapes of Wrath,” the film is set in the depression-era Midwestern region of the United States. As the movie opens, we see a small group of mourners clustered at a graveside. Among the mourners is Addie, the dead woman’s small daughter. Moses Pray — ostensibly of the “Kansas Bible Company” — approaches the group, as the service concludes, and two of the elderly women remark that the child bears some resemblance to him and asks if he might be related. “If ever a child needed kin, it’s now,” one lady says. With no knowledge of who her father is, Addie’s only haven is her Aunt’s home in St. Joseph, Missouri. Having identified himself as a “traveling man spreading the Lord’s gospel in these troubled times,” “Mose” is prevailed upon to deliver the helpless child to her Aunt since he’s going that way, anyway. Addie, wise beyond her years…
Heartbroken after being jilted at the altar Sandra, a straight-talking urban art gallery manager, takes her honeymoon anyway and meets a charming European gentleman who shares her passion for art. However, trust and deception are an issue.
In the Republic of Utopia, because of the bad economic crisis ailing the nation, the Jews are made the scapegoats for the economic and social ills affecting the population; therefore, the government decides to expel them. Leo Strakosch is among the exiled. He is engaged to Counsellor’s Linder’s daughter. He gets into the Republic, in a clandestine way, to show to the society the wrongness of their anti-Semitic prejudice. Bettauer’s novel differs essentially from the film version. “Vienna” was named “Utopia”. Even a happy ending was provided.
In 1962 Hitchcock and Truffaut locked themselves away in Hollywood for a week to excavate the secrets behind the mise-en-scène in cinema. Based on the original recordings of this meeting-used to produce the mythical book Hitchcock/Truffaut-this film illustrates the greatest cinema lesson of all time and plummets us into the world of the creator of Psycho, The Birds, and Vertigo. Hitchcock’s incredibly modern art is elucidated and explained by today’s leading filmmakers: Martin Scorsese, David Fincher, Arnaud Desplechin, Kiyoshi Kurosawa, Wes Anderson, James Gray, Olivier Assayas, Richard Linklater, Peter Bogdanovich and Paul Schrader.
Harriet, who thinks that no real man compares to Mr. Darcy, is transported into Pride and Prejudice and gets an unexpected chance to find out. Starring Eliza Bennett and Nicholas Bishop.
