When two Chicago musicians, Joe and Jerry, witness the the St. Valentine’s Day massacre, they want to get out of town and get away from the gangster responsible, Spats Colombo. They’re desperate to get a gig out of town but the only job they know of is in an all-girl band heading to Florida. They show up at the train station as Josephine and Daphne, the replacement saxophone and bass players. They certainly enjoy being around the girls, especially Sugar Kane Kowalczyk who sings and plays the ukulele. Joe in particular sets out to woo her while Jerry/ Daphne is wooed by a millionaire, Osgood Fielding III. Mayhem ensues as the two men try to keep their true identities hidden and Spats Colombo and his crew show up for a meeting with several other crime lords.
Bette Midler s A GIFT OF LOVE includes 18 of her best love songs. This new collection spotlights a number of incredibly poignant tracks, like her cover of Marshall Crenshaw s My Favorite Waste Of Time from No Frills (1983); Every Road Leads Back To You from the soundtrack to her film For the Boys (1991); Shining Star from Bette (2000); plus five tracks from her platinum release Bette of Roses (1995), including It s Too Late and As Dreams Go By.
Tracklist on next page
The story centers on two sisters (Clare Grant and Jillian Murray) who visit the Skull City Mine roadside attraction in the desert. Their plight turns into a fight for survival against menaces both human and supernatural. On their last weekend together, Megan and Abby Graves become lost in a remote part of the Arizona desert where they are lured to Skull City, an abandoned mine town. But Skull City is anything but abandoned – and there’s no way out. The sisters are now prey, forced to unleash their most primitive instincts in a desperate, fight for survival against unspeakable horrors—both human and supernatural:
On stage Nina Simone was known for her utterly free, uninhibited musical expression, which enthralled audiences and attracted life-long fans. But amid the violent, haunting, and senseless day-to-day of the civil rights era in 1960s America, Simone struggled to reconcile her artistic identity and ambition with her devotion to a movement. Culled from hours of autobiographical tapes, this new film unveils the unmitigated ego of a brilliant artist and the absurdities of her time. At the height of her fame Simone walked away from her family, country, career and fans, to move to Liberia and give up performing. The story of her life leading up to that event poses the question, ‘how does royalty stomp around in the mud and still walk with grace?’
The plot revolves around the lives of three different men named David, who are about to take a step which is going to change their lives forever.
There is an elite group that controls the world. They run governments, companies and religions. They control much of what you see, hear and perceive and have done so for a very long time. Their names have changed, their faces altered but their bloodlines remain the same. We see glimpses of their great and far reaching power, we see revolutions and war, and we succumb to their propaganda and manipulation again and again. Most have no idea that they are under the spell. In the 18th century, they emerged into the spotlight briefly to bring about world-wide cataclysmic change and they called themselves the Illuminati. Quickly they spread and embedded themselves and their ideals within other secret societies and have infiltrated every aspect of society on all sides of the fence. This is the story of the world’s most powerful secret and sacred order.
Seven strangers find themselves trapped in an underground storage facility, struggling to survive while being hunted by a supernatural beast that resides inside the mysterious 13th unit.