Bound for Glory (2016) was a professional wrestling pay-per-view (PPV) produced by TNA. It took place on October 2nd, 2016 at the Impact Zone in Orlando, Florida. It was the twelfth event in the Bound for Glory chronology, the second and last pay-per-view event of 2016 from TNA. It included the induction of Gail Kim into the TNA Hall of Fame, with the returns of Christy Hemme, Taryn Terrell and Awesome Kong inducting her.. The event also featured the official TNA debut of Cody and Brandi Rhodes.
D*Face has been a leading figure in urban art for well over a decade. A contemporary of Banksy, he was at the forefront of the urban art movement, and has had a constant presence throughout its meteoric rise into popular culture.
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Through flashbacks, Full English Breakfast follows the violent career of Dave Bishop (Dave Courtney) a small-time London villain who kills his way to the top of Britain’s drugs empire. Now happily ‘retired’ on the Kent coast Dave becomes embroiled in a bloody battle of wits with Al Qaeda terrorists who want to take over his criminal empire. Adding to the old mobster’s woes is his younger trophy wife (Lucy Drive) wanting to play away with his new driver (Jamie Bannerman).
After attending their friend Elise’s (Sudano) wedding to Nate (Bishop) on New Year’s Eve, Trista (Hall), a career-driven talent agent, Viviane (Scott), a successful gossip columnist, and Amaya (Cooper), a struggling actress, make a pact to get married within the year to either a new love or a man waiting in the wings. But the close friends face their own set of challenges – Trista has not gotten over her commitment-phobic ex-boyfriend Damon (White), Viviane is secretly in love with Sean (George), the father of her son, and Amaya is desperate to break up her boyfriend Keith’s (Sanders) unhappy marriage so they can live happily ever after. Each woman starts the year with high hopes and dreams of what will happen over the next 12 months… but will they all make it to the altar?
Vienna, 1824. In the days before the first performance of the Ninth Symphony, Beethoven needs help with copying out the charts, so a promising student of composition, Anna Holtz, 23, is sent to assist him. She not only aids the transcription of the notes, she provides guidance from the orchestra pit as Beethoven conducts the work’s debut. During the next two years, the final ones of Beethoven’s life, Anna provides assistance to the deaf, temperamental, ailing man. In return, he tutors her in composition and explains to her the ideas and principles of Romanticism. He tries to speak for God.
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