
A mosaic of stories about love and loss, exploring our relationship to the objects, artifacts, and memories that shape our lives.

A mosaic of stories about love and loss, exploring our relationship to the objects, artifacts, and memories that shape our lives.

In his darkest days, Silas Johnson gets a visit from a mysterious man who promises to make him the fast-gun that he has always wanted to be. But, at what cost?

To pay for college, Business major TRINA (19) goes live with her unique dating website UPFRONT. UPFRONT becomes a huge success, though Trina soon learns that her site is being misused as a prostitution hub and shuts it down. When one of the dating users from the site turns up dead, Trina looks to her now defunct site for clues, which someone does not want her to uncover.

After a devastating car crash, journalist Emily flees to rural Italy but becomes trapped in the Dungeons of Ecstasy. Her captor resembles her ex-husband and subjects her to dangerous, sensual trials that unlock taboo memories.

Deacon, Matt and Fred will do anything for even a glimpse of sex and spend their mornings pirating porno movies from Fred’s after school job at the video store. But when Fred is fired, the well runs dry, and our heroes come up with a new plan: make their own “adult” film.

Recently released ex con Patrick is unable to find a legitimate opportunity to get ahead and stumbles back into a life of crime when unpredictable Dolph, whom he owes for protection while in prison, pays him a visit. They begin a series of cons that involve seducing and kidnapping west LA trophy wives in order to extort money from their wealthy husbands. However, their latest victim Rebecca is not who she seems, threatening to ruin everything just when Patrick’s had a change of heart and ready to call it quits.

After robbing a strip club, three desperate teenage girls lead a misogynistic Federal Agent on a lysergic cross-country chase, scoring a duffle bag full of money, drugs, and a crew of willing kidnapees along the way.

In the USSR in 1937, a newly appointed prosecutor discovers an undestroyed letter from a prisoner that reveals corruption in the secret police, the NKVD. His search for the truth becomes dangerous.

After three career criminals brutally attack a young caretaker and her patients, she offers her soul to Satan in exchange for the opportunity of revenge.

After finding mysterious video clips, siblings investigate the strange recordings and uncover a disturbing secret spreading through their Texas town.

A family-friendly romantic comedy about a young woman who loses her dog but finds true love in the process.

Focusing on songs by the troubadours and trouvères from the twelfth to the fourteenth centuries, Medieval Song from Aristotle to Opera contends that song is not best analyzed as “words plus music” but rather as a distinctive way of sounding words . Rather than situating them in their immediate period, Sarah Kay fruitfully listens for and traces crosscurrents between medieval French and Occitan songs and both earlier poetry and much later opera. Reflecting on a song’s songlike quality—as, for example, the sound of light in the dawn sky, as breathed by beasts, as sirenlike in its perils—Kay reimagines the diversity of songs from this period, which include inset lyrics in medieval French narratives and the works of Guillaume de Machaut, as works that are as much desired and imagined as they are actually sung and heard.
Kay understands song in terms of breath, the constellations, the animal soul, and life itself. Her method also draws inspiration from opera, especially those that inventively recreate medieval song, arguing for a perspective on the manuscripts that transmit medieval song as instances of multimedia, quasi-operatic performances.