Loosely based on Butlins, Maplins is part of a holiday camp group owned by Joe Maplin, with Yellowcoat replacing Redcoats. Cambridge University Professor of Archaeology, Jeffrey Fairbrother, who had tired of academia, has been appointed the new Entertainment Manager. This has annoyed the Camp Host, Ted Bovis, who had expected the post. The job of Camp Comic is given to the naive but kind-hearted Spike Dixon who wants an introduction to the world of show business. Many episodes involve Ted Bovis attempting to scam the campers as well as the well-meaning Fairbrother, who also has to avoid the romantic approaches of the chief Yellowcoat and Sports Organiser, Gladys Pugh.

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A young reporter and his niece discover a beautiful and enchanting creature they believe to be the real little mermaid.

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In the land of Iolph, all the people stop aging in their mid-teens and can live for hundreds of years. One resident, Maquia, feels lonely despite the peaceful and idyllic land she lives in. But one day, the Mesarte army invades Iolph, seeking the peoples’ blood for their immortality. Maquia manages to escape the destruction and chaos of war, but with no home or people, she becomes a wanderer in a dark forest. She comes across Erial, an infant mortal boy who has lost his parents, and becomes his guardian. The story follows the relationship that evolves between the two as Erial grows up while Maquia does not.

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Join everyone’s favorite radio DJs—the rockin’ Dr. Johnny Fever (Howard Hesseman) and the soulful Venus Flytrap (Tim Reid)—as they weave through the inner-office antics of the crazy WKRP staff; including the station’s program director Andy (Gary Sandy), indecisive manager Arthur (Gordon Jump), advertising executive Herb (Frank Bonner) and, of course, the station’s lovely receptionist, Jennifer (Loni Anderson). So sit back and enjoy the sound of uproarious laughter as you watch all episodes of this iconic series.

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Suffering from a serious case of amnesia thanks to naughty King Julien, Santa Claus and his reindeer find themselves marooned in exotic Madagascar. With St. Nick’s swift sleigh crammed with toys and gifts, the castaway team of friends–Alex, Marty, Melman, and Gloria–are now the only ones who can attempt to save Christmas. However, will the homesick New Yorkers set aside their ambitions for the children of the world?

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Charlie, a young ambitious property agent joins a successful agency run by wealthy couple, Gordon and Lucy. He soon learns the secrets behind the agency’s success; they specialise in buying up dirt cheap properties after someone has died or been murdered in them, sells them at a higher price without disclosing to the new owners the horrifying truth. Ethical dilemmas soon subside as Charlie enjoys the windfall he makes from every sale. Charlie shrugs off buyers who complain about supernatural happenings and the nightmare they have to endure and continues to basks in his opulent lifestyle. It was not until one of his clients succumbs to the tragic hauntings that he decides to reveal the horrible secrets of his agency.

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A young woman who works as a karaoke hostess in Koreatown reconnects with her estranged brother in the final days of their father’s life.

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The British sitcom set in a high street mobile phone store. The show follows new employee Christopher (Tom Bennett) as he settles into his job and gets into various predicaments along with his fellow workers, Ashley (Andrew Brooke), Jerwayne (Javone Prince), Janine (Emma Fryer) and manager Lance (Martin Trenaman). On High Street UK the priority is to ‘shift units, make money, smash targets…’ and no one knows that better than the staff of PhoneShop.

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A staple of the Golden Ages of both radio and television, Death Valley Days earns its reputation among true Western programs in broadcast history. An anthology series exploring fascinating stories of the American West, its legacy as a true classic is undeniable. As introduced by “The Old Ranger” (Stanley Andrews), Death Valley Days present dramatic and powerful narratives based on true events. This grounded approach would set Death Valley Days apart from the more stylized presentations that were more common amongst the series’ contemporaries. Top-notch writing, acting, and direction combine to present a vision that respects both the actual men and women who lived in and fought for the glorious Old West, and the intelligence of the audiences at home who tuned in every week. Retrace the steps of those who won the west with this amazing collection of some of the finest Western television ever produced.

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