OutKast’s André Benjamin stars as Jimi Hendrix in this revealing biopic from Academy Award-winning writer-director John Ridley (12 Years A Slave). Covering a year in Hendrix’s life from 1966-67 as an unknown backup guitarist playing New York’s Cheetah Club to making his mark in London’s music scene up until his Monterey Pop triumph, the film presents an intimate portrait of the sensitive young musician on the verge of becoming a rock legend.
When Blitzen announces his retirement on December 21st, a miniature horse has 3 days to fulfill his lifelong dream of earning a spot on Santa’s team at the North Pole try-outs.
The incredible true story behind the most controversial Italian court cases in recent years. Stefano Cucchi was arrested for a minor crime and mysteriously found dead during his detention. In one week’s time, a family is changed forever.
With December and “doomsday” fast approaching The Asylum Entertainment is getting set to release 12/12/12 on December 4th. The film opens with some sort of satanic sacrifice then it quickly shifts to a woman who is about to give birth to her baby. There is also a man in scrubs and a medical mask walking around the hospital looking for someone or something. You can easily figure out that the man is looking for baby Sebastian who is born on 12/12/12 making him the spawn of hell. After being born Sebastian feasts on a few of the doctors but to no surprise none of the cameras are working at the time and his mom, Veronica was passed out at the time so she and her husband are allowed to take the baby home.
After being experimented on by a secret government entity called The Shop, Andy McGee develops psychic powers and meets the love of his life. Together they have a daughter with a power of her own and The Shop will stop at nothing to get them back.
A doctor at a clinic where erotic role-playing is used to save troubled marriages gets turned on by his patients’ sizzling fantasies.
A misplaced suitcase unites a fired tech marketer and a disgraced newsman, and they must abandon their hardened hearts to get back to the lives they had, and find love they never knew.
A home invasion forces two teenagers to break into a remote country manor and steal top secret documents. Little do the intruders know but the stately pile is also the venue where a group of high-powered middle-aged men go to take refuge from the stresses of daily life by dressing in nappies and indulging their every perverse sexual nursery-themed whim. Or that this grotesque assembly intends to refuel the world’s economy by very sinister, sick and monstrous means…
In a secluded mountain town a young man unwittingly falls in love with a mysterious funeral director who is guarding a dark secret
Aïlo: an odyssey in Lapland tells the fight for the survival of a small wild reindeer, frail and vulnerable to the challenges that punctuate his first year. Its awakening to the wild world is a real tale in the heart of the grandiose landscapes of Lapland.
After an in-flight anti-gravity striptease (masked by the film’s opening titles), Barbarella, a 41st century astronaut, lands on the planet Lythion and sets out to find the evil Durand Durand in the city of Sogo, where a new sin is invented every hour. There, she encounters such objects as the Exessive Machine, a genuine sex organ on which an accomplished artist of the keyboard, in this case, Durand Durand himself, can drive a victim to death by pleasure, a lesbian queen who, in her dream chamber, can make her fantasies take form, and a group of ladies smoking a giant hookah which, via a poor victim struggling in its glass globe, dispenses Essance of Man. You can’t help but be impressed by the special effects crew and the various ways that were found to tear off what few clothes our heroine seemed to possess.
