Ninjitsu master Casey is back and out for revenge when his pregnant wife is murdered.

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Framed for crimes against the country, the G.I. Joe team is terminated by the President’s order, and the surviving team members face off against Zartan, his accomplices, and the world leaders he has under his influence.

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Following a prologue set in war-torn former Yugoslavia, the film follows several different Christmas celebrations in the small Norwegian town of Skogli. Paul is a thirty-three-year-old laborer who marches into his doctor’s office demanding a prescription, then proceeds to lay bare all his woes. The doctor is beleaguered by his own marital and financial difficulties (he’s left his upset wife to work emergency calls on Christmas Eve). There’s also an elderly man preparing an esoteric ritual, a vagrant who runs into an old flame, a middle-aged couple in the throes of passion, a boy hopelessly in love with his Muslim neighbor and a young émigré couple whose car breaks down as the woman goes into labor.

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Toad Road from Executive Producer Elijah Wood (star of ”Lord of the Rings”) and his genre-themed production company SpectreVision is a hallucinatory and hypnotic odyssey through mutating realities, drug use, urban legends, and nightmares. Imagine a fusion between the sexually candid naturalism of Larry Clark or Harmony Korine, and the backwoods creep-out of The Blair Witch Project, and you’d be halfway there. Stuck in a dead end town, young James kills time with his druggie friends, engaging in debauched chemical intake to the point of unconsciousness, until he meets Sara, a sweet new arrival to their group. However, Sara wants James to take her further into the world of narcotics experimentation (just as James was contemplating abandoning this lifestyle)…and she also wants him to introduce her to the sinister local legend of Toad Road, a spot deep in the forest that is apparently home to the Seven Gates of Hell. Writer-director Jason Banker’s fiction feature debut is an enigmatic and unique fusion of improvisational realism undoubtedly influenced by Banker’s work as a documentary filmmaker, and otherworldly, haunting rural terror. Unlike any other film you’ll see this year, Toad Road is mesmerizing.

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Set against the sexy, glamorous golden age of Formula 1 racing in the 1970s, the film is based on the true story of a great sporting rivalry between handsome English playboy James Hunt (Hemsworth), and his methodical, brilliant opponent, Austrian driver Niki Lauda (Bruhl). The story follows their distinctly different personal styles on and off the track, their loves and the astonishing 1976 season in which both drivers were willing to risk everything to become world champion in a sport with no margin for error: if you make a mistake, you die.

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Phil Broker is a former DEA agent who has gone through a crisis after his action against a biker gang went horribly wrong and it cost the life of his boss’ son. He is recently widowed and is left with a 9-years-old daughter,Maddy. He decides to quit the turbulent and demanding life of thrill for Maddy’s sake and retires to a small town. His daughter fights off a boy who was bullying her at school and this sets in motion a round of events that end in his direct confrontation with the local Meth drug lord. His past history with the biker gang also enters the arena, making matters more complex. But he has a mission in his mind to protect his daughter and he is ready to pay any cost that it demands.

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A collection of seven Christmas cartoons from Walt Disney. In ‘The Prince and the Pauper’ (1990) Mickey Mouse stars as the pauper who swaps places with his royal double. ‘The Art of Skiing’ (1941) has Goofy take to the slopes for some skiing lessons. ‘Alpine Climbers’ (1935) sees Mickey, Donald and Pluto get into trouble with a mother eagle when they go climbing in the mountains. ‘Donald’s Snow Fight’ (1942) finds Donald taking on his three nephews in an all-out snow battle. ‘Wynken, Blynken and Nod’ (1938) is an adaptation of the classic Eugene Field poem which sees three babies float amongst the stars. ‘Winter Storage’ (1949) has Chip and Dale run into trouble with Ranger Donald when their acorn store starts running low. Finally, ‘The Small One’ (1980), tells the story of a small boy in biblical Bethlehem who is forced to sell his donkey.

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When successful attorney, Mitch Bright (Daniel Baldwin), returns home after more than 20 years to the small town of Trapper Falls, Alaska he runs into his old high schools rivals: the Reed brothers, Dan (Ted McGinley) and Greg (Brad Stein). Dan is building a new platform for the town’s traditional nativity scene, but he is the mayor of the town, the platform is being built with city money, and it’s on city property. To top things off: Dan is even married to Kristen (Nancy Stafford) the girl both Dan and Mitch liked in high school. The first thing Mitch does is file a legal injunction against the nativity citing separation of church and state. The second thing he does is decide to run for mayor against his main rival Dan; Dan has been the mayor for years. Mitch accuses Dan of forcing his Christianity upon the entire town, then Mitch goes on a rant about the arrogance and hypocrisy of all Christians.

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Jon Martello objectifies everything in his life: his apartment, his car, his family, his church, and, of course, women. His buddies even call him Don Jon because of his ability to pull “10s” every weekend without fail. Yet even the finest flings don’t compare to the transcendent bliss he achieves alone in front of the computer watching pornography. Dissatisfied, he embarks on a journey to find a more gratifying sex life, but ends up learning larger lessons of life and love through relationships with two very different women.

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At first you don’t think this movie will get scary but it does! The ending is amazing. Beautifully acted, shot and directed. When an abducted boy mysteriously returns to his island home, a young priest discovers how far he must go to keep a secret.

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This film is one of the best adaptations of the Charles Dickens classic I had ever seen. The classic tale becomes a visually stunning animation starring the voice talents of Kate Winslet, Nicolas Cage, Simon Callow and Beth Winslet. This animated adaptation retains the essence of the timeless tale while introducing some fresh interpretations.

The film begins with a live-action sequence set in Boston in 1857, the site of a live reading by renowned novelist Dickens. As he begins his ‘story of ghosts’ a woman in the audience screams because she has seen a mouse and Dickens points out that this is appropriate since his story begins with a mouse. At this point the story turns into the animated version and Dickens explains that the mouse, named Gabriel, carries a glimmer of hope amidst the glaring co-existence of rich and poor in the streets of London. Throughout the subsequent unfolding of the well-known story Gabriel acts as a miniature Greek chorus, providing younger members of the audience with a point of entry into the story and, in the case of the potentially frightening elements (the Ghosts of Past, Present and Future), a place of refuge.

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Ray Breslin is the world’s foremost authority on structural security. After analyzing every high security prison and learning a vast array of survival skills so he can design escape-proof prisons, his skills are put to the test. He’s framed and incarcerated in a master prison he designed himself. He needs to escape and find the person who put him behind bars.

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