The old gang comes together during the holidays after a mystery assailant targets one of their own.

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The rivalry between two criminal brothers find their relationship tested to a deadly conclusion when a murder triggers a gang war in their flat.

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Four veterans of the Afghani war ride the American rails.

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A hitman, his boss, an art dealer and a money-laundering scheme that accidentally turns the assassin into an overnight avant-garde sensation, one that forces her to play the art world against the underworld.

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A maniac moves among us, randomly selecting his targets in a killing spree, using their smart phones to find his next victim, until he faces a young woman who fights back, but can she stop him?

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Jackie Chan was 40 when he stepped back into the role of young Wong Fei Hung in this sequel to his breakthrough comic hit, Drunken Master. In the ensuing years the character, one of China’s most popular folk heroes and a cinematic staple for decades, had been taken up as a quiet, introspective healer by Jet Li in the first three films in the fabulously popular series of films Once Upon a Time in China and in the more comic Last Hero in China. This mad mix of slapstick comedy, energetic action, and melodrama offers some of Chan’s finest fight scenes, a series of tightly choreographed, highly acrobatic skirmishes that build in intensity to the battle royal in the foundry where Wong dodges coal carts, parries sneak attacks, and crab walks through red-hot coals while taking on a succession of comers. Though 20 years older than his character, Chan pulls it off with grace, energy, and youthful vigor.

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A reimagining of the classic horror tale about Carrie White (Chloë Grace Moretz), a shy girl outcast by her peers and sheltered by her deeply religious mother (Julianne Moore), who unleashes telekinetic terror on her small town after being pushed too far at her senior prom. Based on the best-selling novel by Stephen King, Carrie is directed by Kimberly Peirce with a screenplay by Lawrence D. Cohen and Roberto Aguirre-Sacasa.

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A sailing holiday spirals out of control when a teenage daughter uncovers the dark past of her mother’s new boyfriend.

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Based on the novel by Chuck Klosterman, Downtown Owl is a sparkle dark Reagan Era comedy set in the fictional town of Owl, North Dakota in the leading days up to the region’s blizzard in Minnesota’s century.

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Big-city lawyer Casey McKay, (Eric Close – Nashville, Without a Trace) is drawn to a small town by his ex-wife to defend her brother, accused of murdering a DA. He discovers a web of conspiracy that puts him face-to-face with the town’s most corrupt land developer, Mr. Gates (Tommy Flanagan – Sons of Anarchy, Braveheart). As Casey unravels the truth, he finds himself fighting for his former brother-in-law’s life, as well as his own.

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The story of Rubin “Hurricane” Carter, a boxer wrongly imprisoned for murder, and the people who aided in his fight to prove his innocence.

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A former CIA operative is kidnapped by a group of terrorists. When his son learns there is no plan for his father to be saved, he launches his own rescue operation.

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