“Must Be Love” follows the exciting love story of Patricia, better known as “Patchot” played by (Kathryn Bernardo) and her childhood bestfriend Ivan (Daniel Padilla). But what will Patchot do if she starts falling in love with her bestfriend?. And what if Ivan only sees her as a ‘tropa’? This problem will develop when another girl enters Ivan’s life. Unfortunately for Patchot, it’s her cousin Angel. Will Ivan fall in love with ” Patch” or will they remain as best friends forever?
Rica Peralejo, Maui Taylor, Ricky Davao, Antonio Aquitania Isabel (Rica Peralejo) and Clara (Maui Taylor) are childhood friends from a small town who were separated when Clara’s family moved to the city due to her mother’s ambition. Isabel has since learned to live without her best friend and continued living her simple life with her boyfriend Lando (Antonio Acquitania) who loves her but is frustrated by her conservatism and idealism. Clara’s life, however, takes a 180 degree turn as she falls prey to some worthless men, which leads her to develop a self-destructive behavior. Because of this Clara’s father Roman (Ricky Davao) decides to bring her back to the town to start a new life. Upon return, Isabel and Clara try to renew their friendship but their differences soon clash, as each one tries to influence the other in their own ways. As each of them seek their own idea of fulfillment, their motivations and actions will lead them to a tragic and inevitable end.
Babae sa Septic Tank is a comedy about misguided ambitions, the art of making art and the romanticization of poverty. Ang Babae sa Septic Tank chronicles a day in the life of three ambitious, passionate but misguided filmmakers as they set out to do a quick pre-prod at Starbucks, a courtesy call to their lead actress, Eugene Domingo, and an ocular inspection of their film’s major location, the Payatas dumpsite.
Winner of the Golden Lion at the 2016 Venice Film Festival, The Woman Who Left is an epic story of revenge that spans decades of Philippine history. After 30 years in prison, Horacia (CHARO SANTOS-CANCIO) discovers that her friend and fellow inmate committed the murder of which she was accused. This leads to her release and the transformative discovery of the man who framed her. Inspired by Tolstoy and directed with patience and poetry by the great Lav Diaz, The Woman Who Left is a sensitive and transcendent expression of family and forgiveness.
The films asks the questions “Where do broken hearts go?” and tells the story of a woman struggling to meet airline baggage requirements who meets a man who comes to her aid. Both in despair out of love, they form a charming friendship that will take them to Sagada in their attempts to mend each other’s hearts.
Throughout his four years in college, Fidel, a stuttering student, tries to finish 100 poems dedicated to Stella, an aspiring but frustrated rock star, to win her heart.
A girl named Mika decides to go on a road trip to look for aliens. During her trip, she accidentally bumps into Caloy whom she gives a free ride to until he reaches his destination. Mika then finds out that Caloy has cancer but despite it, he has learned to accept his fate. Both embark on a journey filled with adventures and misadventures not knowing they would fall in love with each other along the way.
The horror film follows the story of three parents who were deeply wounded after a school accident that lead to the death of their daughters, Maria, Leonora and Teresa. During their grief a mysterious person approached them and presented dolls that almost look like their deceased daughters. They thought it will help them to move on but instead it brought darkness to their homes.
Athena Dizon plays a trick on campus heartthrob and bad boy, gangster, Kenji de los Reyes. Setting up an arrangement to pretend as lovers-to make his ex jealous-they found themselves falling to each other yet falling apart.
A girl in a red dress, visits the funeral of her boyfriend who hung himself. She is driven away by the boy’s mother, insisting her son died because of her. When she arrives home, her sister asks her if she did the “pagpag” but she replies that she doesn’t believe in it. Afterwards, she is suddenly haunted by the ghost of her dead boyfriend…
Jose Rizal’s life and works are recounted through a series of non-linear flashbacks which reflect on various aspects of his life – as writer, propagandist, lover, friend, brother, doctor, and the man that inspired a revolution.
