A heartbroken ad copywriter living in Lima, Peru, is inspired to write a blog about life as a single woman and is surprised by her website’s success.

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Following 1939’s “The Phantom Stage”, the last of 12 series westerns made at Universal by Trem Carr and Paul Malvern starring Bob Baker, Universal kicked off a new series of six starring their new series-sign Johnny Mack Brown (who had already starred in three Universal serials with one more to go.) Baker was now odd-man-out at the studio as his contract had been with Trem Carr, and Carr and associate Malvern had moved over to Monogram to begin a series of four “Tailspin Tommy” features. Universal, usually late to the party anyway, added Baker and comedian Fuzzy Knight to the first-six Brown films to form a trio angle along the lines of Republic’s highly successful “Three Mesquiteers” series, but there were no continuing roles in these films—they even killed Baker off in the 2nd film—and Baker’s 2nd-lead soon went to 3rd-lead (behind Knight) and then to “gone” after the sixth film. When Bob Baker was next seen in a film at Universal, it was as the uncredited bus driver in Abbott

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Hot Girls Wanted is a first-ever look at the realities of the professional “amateur” porn world and the steady stream of 18-to-19-year old girls entering into it.

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John comes into contact with four breast cancer sufferers. The first is his mother, the second is his childhood nanny, the third is his wife, and the final is his sister.

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“Asylum of Fear” follows a team of paranormal investigators as they go on one last job to a haunted mental institution where children have reportedly gone missing. While searching for evidence of what is haunting the abandoned building, they stumble upon clues that reveal what made the former head doctor snap and go on a killing spree through the halls decades earlier. Unfortunately, the more they uncover, the more they struggle to make it out of the asylum alive because something inside wants that mystery to stay dead and buried.

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A retiring detective tries to discover the identity of a half charred woman found in front of a District Attorney’s boat who is pursuing a child serial killer.

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A month away from his impending marriage, a man (Will Estes, BLUE BLOODS) reconnects with an old flame (Devin Kelley, CHERNOBYL DIARIES).

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Ray and Misha’s one bedroom apartment, only a half-a-mile from Waikiki Beach, feels a world away from the white sandy beaches and crystal blue waters of Honolulu. As the sun sets and the sightseers retire for the evening, Ray, a small-time drug dealer, and Misha, a hula-dancing prostitute, work the back alleys of Waikiki, trying to scrape a living from tourist crumbs. When the couple splits after a blow out, a regretful Ray searches for a pregnant Misha while she, alone now, must face off against forces that wish to possess her–her abusive father and a kingpin pimp of Waikiki. Can Ray and Misha reunite and rise above the powers that fight to bring them down? Or was their split the only chance they had to survive the brutal world of back alley violence and addiction tucked away from the pristine beaches of Hawaii? Broke is the Hawaii unseen. It’s about what goes on in this paradise city after the lights go out.

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A detective investigates a murder, only to find that the victim is… himself. Soon, he discovers multiple versions of himself, not all of them friendly.

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Barbara Miller’s feature documentary #FEMALE PLEASURE portrays five courageous, smart and self-determined women, breaking the silence imposed by their archaic-patriarch societies and religious communities. With incredible strength and positive energy, Deborah Feldman, Leyla Hussein, Rokudenashiko, Doris Wagner and Vithika Yadav are fighting for sexual liberation and autonomy for women, beyond religious rules and cultural barriers. But their victory comes at a high price: they all have experienced public defamation, threats and prosecutions, have been excommunicated by the society they grew up in and even received death threats by religious leaders and fanatics. #FEMALE PLEASURE shows the universal mechanisms at work that determine the position of women until today, spanning cultures, religions and continents: from Japan and India and the Somali Muslim diaspora to the Hasidic community in Brooklyn and the Catholic clergy in Europe. All protagonists have come to the same conclusion: the…

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The son of an American coffee importer forms an unlikely bond with his Colombia counterpart. This romantic comedy follows the pairing of two 20-somethings thrown together by a business feud that may result in an even more unlikely romance.

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“The Brookdale Institute” is a mysterious, little-known hospital for the criminally insane (a fact which is kept on a need-to know basis). Brookdale has another, more lucrative facet; a safe harbor for the chronically drug-addicted rich and famous, especially the sons and daughters of the above, whose families have tried everything. “The Institute” is also for the once-famous, who, having bottomed out, also have no where else to turn but Brookdale. Investigating possible health code violations, “Jennifer/Samantha”, (Sara Downing), a career-driven reporter for “The Philadelphia Enquirer”, checks in under the guise of a patient, in hope of getting a hot story. Unbeknownst to her, the real scoop is much more awesome then even she could write about, should she live to tell. Brookdale is infested with super-intelligent, supernaturally empowered killer rats, a by-product of forgotten experiments conducted by “Dr. William Winslow” (Ron Perlman), the Chief Psychiatrist at Brookdale. Winslow …

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