Every generation reinvents Romeo and Juliet in a way that strikes a chord with its peculiar sensibilities, experiences and outlook. This, then, is Romeo and Juliet for the YouTube generation, a film that plays off the wide-ranging tastes of youth accustomed to taking the glamorous with the grimy, the comic with the tragic, the beautiful with the freakish and the venal with the elevated.
During a skiing event, Gobie and BeBe get into a hazardous accident with serious injuries. BeBe is one of the twin beloved pet dragons of Gobie, and the other one is Kuma. Believing in the existence of Santa, Gobie thinks he can help him save BeBe’s life. Therefore, Gobie decides to set off to Santaland with Kuma.
The murder of an African American youth in rural Alabama has gone unpunished, unsolved and uninvestigated for almost twenty years. But that changes when Nashville Times reporter Matt Harper meets an idealistic blue blood bent on discovering the truth. Harper undertakes the investigation despite the opposition of his publisher, violent threats from mysterious forces, a break-up with his fiancee and his father’s cancer diagnosis. Deadline is a story of murder, family, race, and of redemption – for a small Southern town and for Matt Harper.
Bringing Up Bobby is the story of a European con-artist and her son Bobby, who find themselves in Oklahoma in an effort to escape her past and build a better future. Olive and Bobby blithely charm their way from one adventure to another until Olive’s criminal past catches up with her. Consequently, she must make a choice: continue with a life of crime or leave the person she loves most in an effort to give Bobby a proper chance in life.
As a wave of vampirism sweeps the world, a small but discordant group hole up in a country mansion in Victoria, Australia. A vampire, who has also occupied the mansion, offers them a deal: if they protect him from humans during the day, he’ll protect them from other vampires at night. So begins an uneasy alliance which soon threatens to fall apart.
When an eccentric and insecure young woman is mistaken for her dead identical twin, she seizes the chance to leave her pathetic existence behind and assume her sister’s life. Through this absurd masquerade as “the pretty one” she finally learns to value her own identity.
The ’59 film, The Killer Shrews, found a group of folks on an island with the ravenous beasts. This time James Best’s ship captain is hired by a reality crew to return to the island and…you guessed it, the shrews attack again.
Husband and wife doctors Paul and Kim Jordan need a drastic change. Distraught by the inexplicable death of their baby, Paul (C. Thomas Howell) convinces Kim to abandon their American lives and join a medical mission in Thailand. It seems to be just the distraction they need, until the day Paul is kidnapped by human traffickers who need a surgeon to operate on their wounded leader. Kim is left alone in a strange country, trying desperately to find her husband with no proof of what happened. While captive on the gangs’ secluded island, Paul is caged with Malcolm Andrews (John Rhys-Davies), an Englishman being held for ransom. With nothing to do but talk, the two men quickly clash over philosophy, as Malcolm relies on a bold faith in God and Paul believes no god would allow these evils to happen in the world. Paul takes another hit when he finds his patient’s condition much worse than he can handle on his own in such primitive conditions
Tom and Jerry Tales is an animated television series which began production in 2005, and premiered in the United States on September 23, 2006 and cancelled on March 22, 2008 on Kids’ WB!. It is the fourth television show in the franchise that continues the chase and violence of the cat and mouse duo and other characters since the first Tom and Jerry short, Puss Gets the Boot. Tom and Jerry Tales was the last Tom & Jerry show since the series ended in 2008, it is now airing re-runs of it on Cartoon Network.
An ex-thug and his son attempt to find a way to move past impossible circumstances to forge a bond that has been forever broken by the murder of the child’s mother.
Cheery Alex Fletcher lives comfortably in Manhattan off the residuals from his 80’s pop success and reprising his hits at school reunions, theme parks, and state fairs. But those gigs are declining, so he jumps at the chance to write a song and record it with reigning teen idol Cora Corman. Trouble is, he’s good at melodies but needs a lyricist and has less than a week to finish. Enter Sophie Fisher, subbing for a friend who waters Alex’s plants; she’s a pretty good poet, quick witted, and could do it, if she’d agree. But there’s some sort of shadow over her head that Alex may not be able to charm his way past. And what if they do get a song written, what then?
Amber dreams of escaping her small town existence and persuades her friends to accompany her to find an apartment in the big city. When their transportation breaks down, she and her friends gratefully accept a ride in the back of a semi. But when the driver refuses to stop and they discover the cargo is hundreds of cartons of blood, they panic. Their panic turns to terror when the truck disgorges them into a dark, abandoned warehouse where blood-thirsty creatures learn to hunt human prey, which, the friends realize, is what they now are…
