This dramatic thriller is about the suicide of Dina Van Cleve (Jenn Proske) and her mother, Rachel’s (Liz Vassey), search to find out who bullied her into committing suicide. Dina commits suicide shortly after a naked photo of her went viral after she sent it to her boyfriend (Ryan Kelley). In the end, it is discovered that Patricia Reid (Judith Hoag), a parent of one of Dina’s teammates, sent the photo out to many high schoolers through another student’s phone. Patricia does this because Dina beat her daughter (Kelli Goss) out for a scholarship. Patricia is prosecuted for distributing child pornography and Westfield High School is back to normal, except for losing Dina.

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Mia dreams of singing, Quentin dreams of dancing, Paalo wants to mend the relationship with his daughter and Alonzo hopes to reconnect with his family, but the realities of abuse, failure and their broken pasts, as well as a notorious criminal, make the path to their dreams an uphill battle. Set in urban Chicago, these four stories are woven together to create an inspiring tale of the hard work it takes to achieve one’s dreams.

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Yakuza hunter Asami returns to visit her old master Inokuma who runs a small bar but finds out that he’s being squeezed by the Shoryu Group who wants to take over the area. Already some residents have paid the price for not leaving when requested. Inokuma gives Asami a place to stay with Miki who’s a retired Yakuza Hunter.

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Tobe is about 16, living with her dad and younger brother in LA’s San Fernando Valley. She invites a gas station attendant named Harlan to come to the beach with her and her friends. He’s from South Dakota, wears a cowboy hat, talks country, and has been a ranch hand. They have a great time, his simple expressions seem like wisdom, he’s attentive and polite, and even though he’s more than twice her age, she wants to spend time with him. When her father objects, she rebels. Harlan, meanwhile, thinks she’s his soul mate, and he starts making plans to get her away from her father. Worlds are set to collide, but which ones?

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A poor otter family risks everything for the chance to win the cash prize of a talent contest for Christmas.

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In a seemingly perfect community, without war, pain, suffering, differences or choice, a young boy is chosen to learn from an elderly man about the true pain and pleasure of the “real” world.

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Miles Fowler makes horror movies. After witnessing a real life murder, he blackmails the killer to star in his next film, but when cameras roll, “creative differences” put everyone’s life in turnaround.

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Jersey Boys is a musical biography of the Four Seasons-the rise, the tough times and personal clashes, and the ultimate triumph of a group of friends whose music became symbolic of a generation. Far from a mere tribute concert (though it does include numbers from the popular Four Seasons songbook), Jersey Boys gets to the heart of the relationships at the center of the group-with a special focus on frontman Frankie Valli, the small kid with the big falsetto. In addition to following the quartet’s coming of age as performers, the core of the show is how an allegiance to a code of honor learned in the streets of their native New Jersey got them through a multitude of challenges: gambling debts, Mafia threats and family disasters. Jersey Boys is a glimpse at the people behind a sound that has managed to endure for over four decades in the hearts of the public.

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Prince Draco must evolve into the Dragon King in order to protect his Kingdom from the evil Octopus Ocho.

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Eoghan is a sound recordist who is returning to Ireland for the first time in 15 years. His reason for returning is a job offer: to find and record places free from man-made sound. His quest takes him away from towns and villages into remote terrain. Throughout his journey, he is drawn into a series of encounters and conversations which gradually divert his attention towards a more intangible silence, one that is bound up with the sounds of the life he had left behind. Influenced by elements of folklore and archive, Silence unfolds with a quiet intensity, where poetic images reveal an absorbing meditation on themes relating to sound and silence, history, memory and exile.

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Arthur Bishop (Jason Statham) is a ‘mechanic’ – an elite assassin with a strict code and unique talent for cleanly eliminating targets. It’s a job that requires professional perfection and total detachment, and Bishop is the best in the business. But when his mentor and close friend Harry (Donald Sutherland) is murdered, Bishop is anything but detached. His next assignment is self-imposed – he wants those responsible dead. His mission grows complicated when Harry’s son Steve (Ben Foster) approaches him with the same vengeful goal and a determination to learn Bishop’s trade.
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When Mickey’s crazy step-son Leon is killed in a construction ‘accident’, nobody in the working class neighborhood of God’s Pocket is sorry he’s gone. Mickey tries to bury the bad news with the body, but when the boy’s mother demands the truth, Mickey finds himself stuck in a life-and-death struggle between a body he can’t bury, a wife he can’t please and a debt he can’t pay.

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