The widows of Martin Luther King and Malcolm X and how they carry on as single mothers after the assassination of their husbands.

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Life for the Kendalls has been burdened by grief and claustrophobia. Faced with caring for one child with special needs and another with PTSD, the family struggles for a sense of stability at home in their Staten Island, NY hamlet. When a secret from the past is revealed, it threatens to tear them apart.

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Copenhagen, early 1920s. Danish artist, Gerda Wegener, painted her own husband, Einar Wegener (Eddie Redmayne), as a lady in her painting. When the painting gained popularity, Einar started to change his appearance into a female appearance and named himself Lili Elbe. With his feminism passion and Gerda’s support, Einar – or Elbe attempted first-ever male to female sex reassignment surgery, a decision that turned into a massive change for their marriage, that Gerda realized her own husband is no longer a man or the person she married before. A childhood friend of Einar, art-dealer Hans Axgil (Matthias Schoenaerts), shows up and starts a complex love triangle with the couple.

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Be careful what you wish for. An adventurous girl finds another world that is a strangely idealized version of her frustrating home, but it has sinister secrets.

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Emma only knows how to add spice to her life in one way… by squirting it from a bottle of hot sauce. The rest of her life is cushy but bland: scrambled egg whites, decaffeinated coffee and her husband, Ray. She’s had enough and runs away from home. Her estranged son, Elliot, finds her lurking outside his restaurant with suitcase in hand. They try to start over again as mother and son in this odd-couple living situation. But she’s old-fashioned. He’s gay. Between them are years of awkward moments and unspoken tensions. Feeling lonely, Emma accidentally befriends the lady next door who’s so eccentric that Emma’s way over her head. Meanwhile, a passionate encounter with a man in a bar turns Elliot’s fear of commitment on its head. With dumplings, dessert, whiskey, and even Ecstasy in front of them, will they give into their indulgences? And can mother and son reconcile while struggling to discover their own appetites for life?

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Two women who meet by chance make a pact to fix their unhappy lives: they will each do what the other one says. But one of them has a secret. She knows her husband is sleeping with the younger woman. Madelyn’s plan backfires when Lucy, an aspiring actress, orders her to play King Lear in a very amateur production, with Lucy playing the Fool. Madelyn’s life is transformed in unexpected ways as, like Lear, she struggles with matters of mortality and betrayal, loyalty and love.

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Hannah (Hall) is beginning to move on with her life after the death of her husband, an acclaimed musician and the subject of her latest biography, when she meets Andrew (Sudeikis), a brash writer from New York, who has a different take on her husband’s life – and death. The unlikely pair must collaborate to put together the famous singer’s story and begin to write the next chapter of their lives.

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After his girlfriend Nina dies in a car crash, Rob unsuccessfully attempts suicide. As he begins to overcome his grief, he falls in love with a coworker, Holly. Their relationship is complicated when Nina, unable to find rest in the afterlife, comes back to life to sarcastically torment them whenever they have sex.

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Introverted and peculiar, Mara spends her days fabricating props for movies. But her reclusive persona conceals an internal wrath. Terrified of being alone, Mara refuses to let her lovers leave, sadistically murdering them and keeping their corpses as living dolls. When she’s hired by Kat, a fledgling producer, the two instantly hit it off. As their relationship grows more intense, Mara begins to lose her already fragile grip on reality. When her dolls begin demanding all of her attention, and Kat threatens to break her heart, Mara spirals into psychosis, leaving her no choice but to kill again.

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The trials and tribulations of the latest Indie Folk Star – Jolene.

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Pierre (François Cluzet) has been happily married for fifteen years and a good father. Still in love with his wife, he enjoys his wife and family and is content. One evening, he meets Elsa (Sophie Marceau) at a party and are immediately attracted to each other. Fifteen days later, they happen to meet again and the mutual attraction turns into infatuation. But his love for his wife and Elsa’s rule about not dating married men prevents them from taking the next step. Instead, they fantasize about each other, and soon the fantasies mingle with the reality.

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Beaconsfield is the three-hour movie which tells the story of the amazing rescue of Todd Russell and Brant Webb from the collapsed Beaconsfield mine in Tasmania five years ago.

On Anzac Day 2006 the Beaconsfield mine collapsed, trapping Russell, Webb and fellow miner Larry Knight one kilometre underground. When it was revealed that two of the men were alive, Australia prayed and the world waited in hope that the miners would make it out alive. But the rescue was far more complex than anyone ever imagined.

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