
A modern, dark-humored tale of greed, romance, and lost innocence in consumer-crazed, alienated society that functions as a harsh critique of society today without taking itself too seriously.

A modern, dark-humored tale of greed, romance, and lost innocence in consumer-crazed, alienated society that functions as a harsh critique of society today without taking itself too seriously.

After decades of neglect, Castle Heights Hospital, this symbol of the city’s segregated past has been packed with dynamite and is ready to be demolished. No one knows that a gang leader, now in prison, hid the 3 million dollars in cash he stole from his rivals inside the abandoned building. Now, three desperate parties want the money – a blue collared ex-fighter (Adkins) who finds it while working as part of the demolition crew, a prison guard (Lundgren) willing to do anything to pay for his daughter’s cancer treatment and a ruthless gang who claim to be the rightful owners. The demolition charges are set, everyone clears out and the Castle is set to fall in 90 minutes. The clock is ticking. Who will find the cash and: will they get out alive?

When romance novelist Diana (Jeni Ross) learns that Maple Creek, a charming pioneer village, is struggling to stay afloat, she uses her notoriety to help generate interest in the town by sponsoring a Christmas gala. Diana rallies her family and friends to pitch in, but she’s challenged at every turn by the village blacksmith and town historian, Carter (Jake Epstein). Sparks fly as the two must work together to save the village in time for Christmas.

Nell, Simon, and their son Art are ready to welcome friends and family for what promises to be a perfect Christmas gathering. Perfect except for one thing: everyone is going to die.

An ex-military man working at a Georgia power plant has to spring into action to prevent disaster when a group of rogue soldiers gain control of the plant and take the employees hostage.

Alan leaves behind his comfortable existence and heads north to ask whether, in this once United Kingdom, a `schasm` has formed between north and south.

Yes, Dear is a comedy about two young couples and their outrageously contrasting views on parenting. First-time parents, Greg and Kim Warner struggle on a daily basis to become perfect at the job. Kim is a neurotic, stay-at-home mother, and although her husband, Greg, is a success in his career, his more difficult job is keeping his wife calm as they raise their year-old son, Sam. While Kim is determined to be the perfect mother and perfect wife and to raise the perfect son, her sister, Christine Hughes, a very down-to-earth mother of two [four-year-old Dominic and one-year-old Logan], continually reminds her that life will never be perfect. Christine’s husband, Jimmy, is employed as a security guard and unconcerned about living in Kim and Greg’s guest house and feels compelled to share with his brother-in-law his philosophy about being a husband and a parent while still remaining a man.

In 2006, writer/director Eli Roth’s horror film Hostel was released in cinemas. Produced on a small budget, the film was a financial success, pulling in more than $80m around the world as well as winning a strong fan base. A sequel was announced shortly after, and it seemed that a new horror franchise had been established.

A story set in the north English seaside town of Blackpool and centered on two kindred spirits who form an unlikely friendship.

The movie follows the journey of Ranveer Malhotra, who against all the odds, has to face deadly obstacles on a plane in order to survive.

After a spontaneous kiss, a struggling designer ends up falling in love with her demanding boss’s boyfriend as she decorates his home for a Christmas party.