Roseanne McNulty must vacate the soon-to-be demolished mental institution in Roscommon, Ireland that she’s called home for over 50 years. The hospital’s psychiatrist, Dr. William Grene, is called in to assess her condition. He finds himself intrigued by Roseanne’s seemingly inscrutable rituals and tics, and her fierce attachment to her Bible, which she has over the decades transformed into a palimpsest of scripture, drawings, and cryptic diary entries. As Grene delves deeper into Roseanne’s past, we see her as a young woman, whose charisma proves seductive. We learn that she moved to Sligo to work in her aunt’s café, fell in love with a dashing fighter pilot), and that a local priest fell tragically in love with her.

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A newlywed couple arrives at the house of the husband’s late wife, where the flowers have been maintained to the dead woman’s memory. Soon, eerie events lead the new wife, to believe she is losing her mind.

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Life altering sins of the past revisit modern day lost souls in a small town…40 years later.

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A young mad genius attempts to ‘hack the human mind’ in order to fix humanity.

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BUSHWICK tells the story of twenty-year- old Lucy (Snow) and war veteran Stupe (Bautista). Texas is trying to secede from the U.S., and NYC is being used as a negotiation tool. Lucy meets Stupe after coming up from the subway into the military invasion of Brooklyn. Together they decide to cross the treacherous five blocks of Bushwick – littered with looters, local militias, the invading forces, and one crazy cousin – in order to get home and be reunited with Lucy’s grandmother.

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A struggling writer. A mysterious man with a wad of cash. An unbelievable offer to collaborate with best-selling author Chester Everett McGraw. All Skip Larson must do is sever contact with the outside world for six months and focus on his greatest passion: writing. But Skip should have known nothing comes easy in life . . . or death.

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Set in the glamour of 1950s post-war London, renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants, and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock’s life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love.

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Faced with the tyranny of Caesar who acts as absolute master over Rome, Senators Rufus and Cassius form a plot to assassinate him.

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As Mandarin-language teacher Ling continues with fruitless IVF treatment while taking care of her ailing father-in-law, she finds herself slowly drawn towards a promising student who seems to have been abandoned by his parents. Outside it’s monsoon season, but Ling’s inner turmoil looks set to get her into a heap of trouble.

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When a quick-witted but co-dependent college girl helps her best friend land a boyfriend, she’s left on the outside looking in and is forced to deal with the realities of adulthood for the first time.

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Onboard ship computer, Hetfield has been tasked with overseeing his crew’s safe voyage to Jupiter’s forth moon, Callisto. As the tension of long space travel mounts among the crew, Hetfield recognises a need to foster closer relationships and discover the essence of humanity. As cabin fever worsens and the crew’s better judgement is affected, Hetfield must put into practice what he has learned about being human. However, when Hetfield’s newfound human frailty is discovered by the crew, he qualifies as a performer in the circus of paranoia, mistrust and conspiracy.

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Josh Duhamel, Famke Janssen, and Giancarlo Esposito highlight this pulse-pounding thriller about a reality show that exploits the on-camera deaths of its players on live TV. After a dating show ends in violence, its host Adam Rogers (Duhamel) and a ratings-hungry network exec (Janssen) launch a terrifying new program that promises fresh kills every week. The tension mounts as a kindhearted janitor (Esposito) joins the deadly program, hoping to help his struggling family survive at any cost.

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