BURNING tells the story of three individuals and a mysterious incident they experience. Jongsu bumps into an old friend, Haemi, on a part-time delivery job. Haemi asks Jongsu to take care of her cat while she leaves on a trip to Africa. When she returns, Haemi introduces Jongsu to Ben, a man she met in Africa. One day, Ben and Haemi pay Jongsu a visit, and Ben reveals his secret interests to Jongsu.
The film opens on a character known only as “Le Dormeur.” After waking up one morning, he somehow locates and opens a secret door in his apartment, and wanders into a packed movie house where an audience watches King Vidor’s classic The Crowd and a giant dog wanders up and down the aisles. Meanwhile, Oscar rides to work in a white limousine driven by his close friend and associate Céline; Oscar’s job, it seems, involves using makeup, elaborate costumes, and props to carry out a number of complex and unusual scenarios. Of these, one has the actor performing an action sequence and simulated sex with an actress on a soundstage while he’s filmed by an off-camera director. Another sequence puts him in a sewer with Monsieur Merde, a character who first appeared in Carax’s segment in the omnibus picture Tokyo!; here, Merde falls in love with a beautiful model, Kay M., who accompanies him on a jaunt through a cemetery. Subsequent episodes cast Oscar in a deathbed melodrama, a gangster film, a musical alongside pop star Kylie Minogue, and much more.
Every village, every person, has a secret… none more so than the inhabitants of this isolated, murky village whose fate relies on the luring of two unsuspecting pawns to satisfy their appetite and determine their being.
In the 18th Century, John Cavendish, a Scottish adventurer, arrives in Tuscany and makes his fortune from his expert knowledge of botany and agriculture. In the present day, Marcus Cavendish, an American painter and playboy with mounting debts, receives a letter from Chiara Conti, an Italian solicitor, who reveals to him that he is of the Cavendish blood line. She tells him that he is the heir of Peter Cavendish, the last descendant of John Cavendish. Believing that this potential fortune may solve his money problems – and may even sort his head out – Marcus travels to Tuscany to get his inheritance. Having arrived at Cavendish Castle, Marcus thinks he has solved all of his problems, but discovers that he has to fight an ancient evil that has tormented his family for centuries, so he realizes that money, property and land mean little when faced with a blood curse as a surprise inheritance.
When several carnal murders in a small beach town are linked to the public release of a discreet dating app’s client information, detective Maxine Payton suspects the killer may be someone intimately close to her.
A scheming con artist (Elyse DuFour, AMC’s The Walking Dead) poses as innocent babysitter “Amber” to steal from Ted Hooper, a wealthy occult enthusiast with a reclusive son named Kevin. Her crew arrives to clean out the house just as Kevin stumbles upon one of his father’s most prized artifacts and unwittingly summons a trio of witches known as The Three Mothers. As the playful, sadistic witches start picking people off, Amber and Kevin form an unlikely bond and try to survive the night together.
A girl in her teens babysits for a new family when she meets a creepy doll. The doll makes her watch several gruesome tales on TV.
Bianca Del Rio is hilariously hateful in this stand-up comedy special. The self-described “clown in a gown” takes the audience on a journey through her childhood, pointing out the experiences that created the “Rolodex of Hate” in her brain.
The giant, man-eating Graboids are back and even deadlier than before, terrorizing the inhabitants of a South African wildlife reserve as they attack from below-and above.
Tremors didn’t actually break any new ground (even though its tunneling worm monsters certainly did), but it revved up the classic monster-movie formulas of the 1950s with such energetic enthusiasm and humour that it made everything old seem new again. It’s also got a cast full of enjoyable actors who clearly had a lot of fun making the film, and director Ron Underwood strikes just the right balance of comedy and terror as a band of small-town rednecks battles a lot of really nasty-looking giant worms.
After his brother the sheriff is murdered, Bat Masterson is elected to the job and is determined to find the killer and make Dodge City safe.
Ever since hulking lawman Hobbs (Dwayne Johnson), a loyal agent of America’s Diplomatic Security Service, and lawless outcast Shaw (Jason Statham), a former British military elite operative, first faced off in 2015’s Furious 7, the duo have swapped smack talk and body blows as they’ve tried to take each other down. But when cyber-genetically enhanced anarchist Brixton (Idris Elba) gains control of an insidious bio-threat that could alter humanity forever–and bests a brilliant and fearless rogue MI6 agent (The Crown’s Vanessa Kirby), who just happens to be Shaw’s sister–these two sworn enemies will have to partner up to bring down the only guy who might be badder than themselves.
