After the untimely death of 16-year-old Martin’s father on the operating table, little by little, a deep and empathetic bond begins to form between him and the respected cardiothoracic surgeon, Dr Steven Murphy. At first, expensive gifts and then an invitation for dinner will soon earn the orphaned teenager the approval of Dr Steven’s perfect family, even though right from the start, a vague, yet unnerving feeling overshadows Martin’s honest intent. And then, unexpectedly, the idyllic family is smitten by a fierce and pitiless punishment, while at the same time, everything will start falling apart as the innocents have to suffer. In the end, as the sins of one burden the entire family, only an unimaginable and unendurable decision that demands a pure sacrifice can purge the soul. But to find catharsis, one must first admit the sin.

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‘Genesis’ is the third feature from British writing and directing duo Bart Ruspoli & Freddie Hutton-Mills. The first in a sci-fi trilogy, ‘Genesis’ explores the nature of free will and what it means to be human, against a post apocalyptic backdrop where the remnants of mankind attempt to create A.I. to save them from extinction. The film stars John Hannah (The Mummy trilogy, Marvel’s Agents of S.H.I.E.L.D), Olivia Grant (Stardust, Indian Summers), Warren Brown (Strike Back, Luther) and Chike Okonkwo (The Birth of a Nation, Being Mary Jane).

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Set in a bloodthirsty Los Angeles, one rogue detective’s (Dean S. Jagger) obsessive search for the truth behind his parents’ murders leads him to confront a monstrous duo of Queeny (Corey Feldman) and Vince (Richard Wagner) who drag him into a Hellish nightmare he was never prepared for. Lost to an underworld of horrors dating back to the dawn of time, he soon discovers that he is actually the last surviving member of the Nash family, a historic clan of demon hunters.

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The film is based on A.G. Sulzberger’s 2010 New York Times article “For Kodachrome Fans, Road Ends at Photo Lab in Kansas” about a father and son who take a road trip to Kansas in order to develop photographs at Kodak’s last Kodachrome lab before it closes its doors forever.

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A classically-trained martial artist (Adkins) goes to work as a debt collector for the mob. The job seems easy enough, until one “client” pulls him into a situation deeper than could ever be expected. Also starring Louis Mandylor, Michael Pare, Tony Todd and Vladimir Kulich. Directed by Jesse V. Johnson.

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An orphaned young girl with unworldly powers is taken in by a man and woman who claim to be her parents.

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Each episode of Big History will begin with an iconic topic from the pages of traditional history such as the Great Pyramids, The Titanic or the American Revolution but then will spin into surprising journeys through other fields, weaving together insights and evidence from various disciplines such as astronomy, physics, chemistry, biology, anthropology, history and economics.

Spanning 13.7 billion years, Big History will ultimately pull together the puzzle pieces from all 16 half-hour episodes into an epic two-hour finale, creating one grand narrative and revealing the unifying link among all events.

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A young Russian intelligence officer is assigned to seduce a first-tour CIA agent who handles the CIA’s most sensitive penetration of Russian intelligence. The two young officers collide in a charged atmosphere of trade-craft, deception, and inevitably forbidden passion that threatens not just their lives but the lives of others as well.

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Anna spends her entire childhood under the care of a mysterious man she only knows as Daddy. He keeps her locked in an attic making her fear the Wildling, a child-eating monster that roams the outside. At age 16, Anna is freed by small-town sheriff Ellen Cooper who helps her start a new life as a normal teenager. But as Anna’s body begins to blossom, her childhood nightmares return with a vengeance, leading to the conclusion of a terrifying secret.

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In a room with no windows on the eastern coast of Africa, a Scotsman, James More, is held captive by jihadist fighters. Thousands of miles away in the Greenland Sea, Danielle Flinders prepares to dive in a submersible to the ocean floor. In their confines they are drawn back to the Christmas of the previous year, where a chance encounter on a beach in France led to an intense and enduring romance.

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When a party bus on its way to Burning Man filled with a bunch of sexy young adults breaks down in the desert and in the middle of a group of Satanic worshippers, all hell literally breaks loose. A massacre leaves seven survivors trapped on the bus, fighting for their lives while wondering if someone or someones are not what they seem.

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In 1892, after nearly two decades of fighting the Cheyenne, the Apache, and the Comanche natives, the United States Cavalry Captain and war hero, Joseph Blocker, is ordered to escort the ailing Cheyenne chief, Yellow Hawk–his most despised enemy–to his ancestral home in Montana’s Valley of the Bears. Nauseated with a baleful anger, Joseph’s unwelcome final assignment in the feral American landscape is further complicated, when the widowed settler, Rosalie Quaid, is taken in by the band of soldiers, as aggressive packs of marauding Comanches who are still on the warpath, are thirsty for blood. In a territory crawling with hostiles, can the seasoned Captain do his duty one last time?

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