When a sinister threat from his childhood returns to haunt him, a father desperately struggles against his deepest inner fear. Only this time, the fight isn’t for himself; it’s for his family.

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A gripping and relentlessly compelling story that follows 26-year-old, Keema Newell, a single mother of three who is a victim of her own circumstances. Stuck in the welfare cycle, after having her kids taken away Keema is desperate to build a better life for her family even if it means going back into a world of drugs, crime, and sex to make it happen. With help from a praying mother, and a caring social worker who urges her to get into a job training program, Keema struggles to save those she loves. However, everything spins out of control when Keema’s past comes back to haunt her, and her ten-year-old daughter, Treasure, is forced into survival mode. Now, Keema must come face-to-face with her reality and she won’t be the only one who pays the price.

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A family of ducks try to convince their overprotective father to go on the vacation of a lifetime.

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Young-jak who is a private secretary of madam Baek, the center power of Korean conglomerate, deals with immoral private issues of her wealthy family. He reports to madam Baek that her husband, Mr. Yoon is having an affair with a Filipino nanny, Eva. Madam Baek is now despaired, then greedily seducing Young-jak for her sexual desire. On the other hand, he begins to feel conflicted by madam Baek’s daughter, the only family member who approaches him with the true heart. Lost between his morality and shortcut to successful life, he has to make the biggest decision he’s ever made to choose whom he will hang on to, in order to survive in this harsh world.

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This film was Peter Bogdanovich’s homage to musical comedies of the 1930s. A millionaire named Michael Oliver Pritchard III and a singer named Kitty O’Kelly meet and fall in love. Meanwhile, an indigent woman named Brooke Carter and an Italian gambler named Johnny Spanish meet and fall in love. All four people meet each other and become friends (actually, Kitty and Brooke had been friends since high-school), and soon, Brooke’s crude, fun-loving maid Elizabeth falls in love with Michael’s valet Rodney James. Later on, Michael and Brooke fall in love, and Kitty and Johnny decide to follow them around. In order to make Brooke and Michael jealous, they try to look like they are falling in love as well. Eventually, Michael and Johnny get into a fight but then immediately make up. Soon, Brooke and Kitty make up. The two couples pair off successfully and they live happily ever after.

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A woman’s friendship with a new co-worker at the prison facility where she works takes a sinister turn.

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A poor construction worker makes a deal with a dying business mogul to inherit billions only to discover that he has also been cursed by the man’s terrifying sins.

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In a last ditch effort to win over the girl of his dreams, a nerdy high school senior (Lorenzo Henrie) and his best friends embark on a road trip to see their favorite band at the biggest music festival of the year, only to discover true love in the most unexpected place. This Is The Year is a feel-good, contemporary spin on many of the classic 80’s movies that resonated with that era’s youth. It aims to address the issues facing teens today – speaking their language and breaking through with a story that actually means something.

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A small town killing spree lands on the doorstep of a rural diner, where a young waitress must fight for her life over the course of one long night.

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Adapted from the novel, “Addie Pray” (1971) by Joe David Brown, PAPER MOON is the story of Moses Pray and Addie Loggins. With scenery reminiscent of “The Grapes of Wrath,” the film is set in the depression-era Midwestern region of the United States. As the movie opens, we see a small group of mourners clustered at a graveside. Among the mourners is Addie, the dead woman’s small daughter. Moses Pray — ostensibly of the “Kansas Bible Company” — approaches the group, as the service concludes, and two of the elderly women remark that the child bears some resemblance to him and asks if he might be related. “If ever a child needed kin, it’s now,” one lady says. With no knowledge of who her father is, Addie’s only haven is her Aunt’s home in St. Joseph, Missouri. Having identified himself as a “traveling man spreading the Lord’s gospel in these troubled times,” “Mose” is prevailed upon to deliver the helpless child to her Aunt since he’s going that way, anyway. Addie, wise beyond her years…

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Isabella runs her own salon and isn’t afraid to speak her mind, while Prince Thomas runs his own country and is about to marry for duty rather than love. When Izzy and her fellow stylists get the opportunity of a lifetime to do the hair for the royal wedding, she and Prince Thomas learn that taking control of their own destiny requires following their hearts.

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In the Republic of Utopia, because of the bad economic crisis ailing the nation, the Jews are made the scapegoats for the economic and social ills affecting the population; therefore, the government decides to expel them. Leo Strakosch is among the exiled. He is engaged to Counsellor’s Linder’s daughter. He gets into the Republic, in a clandestine way, to show to the society the wrongness of their anti-Semitic prejudice. Bettauer’s novel differs essentially from the film version. “Vienna” was named “Utopia”. Even a happy ending was provided.

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