‘In the year 2035, survivors of a now almost completely evacuated post-apocalyptic Britain compete for a government bounty to retrieve a mysterious bio weapon known only as Unit Eleven…’

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In Mexico at the time of the Revolution, Juan, the leader of a bandit family, meets John Mallory, an IRA explosives expert on the run from the British. Seeing John’s skill with explosives, Juan decides to persuade him to join the bandits in a raid on the great bank of Mesa Verde. John in the meantime has made contact with the revolutionaries, and intends to use his dynamite in their service.

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Teddy wakes up the morning after his wedding to discover that every few minutes he’s jumping forward to the next year of his life.

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Each year, 60,000 people from around the globe gather in a dusty windswept Nevada desert to build a temporary city, collaborating on large-scale art and partying for a week before burning a giant effigy in a ritual frenzy. Rooted in principles of self-expression, self-reliance and community effort, Burning Man has grown famous for stirring ordinary people to shed their nine-to-five existence and act on their dreams. Spark takes us behind the curtain with Burning Man organizers and participants, revealing a year of unprecedented challenges and growth. When ideals of a new world based on freedom and inclusion collide with realities of the “default world,” we wonder which dreams can survive.

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Severe, pale-eyed, handsome, Phil Burbank is brutally beguiling. All of Phil’s romance, power and fragility is trapped in the past and in the land: He can castrate a bull calf with two swift slashes of his knife; he swims naked in the river, smearing his body with mud. He is a cowboy as raw as his hides. The year is 1925. The Burbank brothers are wealthy ranchers in Montana. At the Red Mill restaurant on their way to market, the brothers meet Rose, the widowed proprietress, and her impressionable son Peter. Phil behaves so cruelly he drives them both to tears, revelling in their hurt and rousing his fellow cowhands to laughter – all except his brother George, who comforts Rose then returns to marry her. As Phil swings between fury and cunning, his taunting of Rose takes an eerie form – he hovers at the edges of her vision, whistling a tune she can no longer play. His mockery of her son is more overt, amplified by the cheering of Phil’s cowhand disciples. Then Phil appears to take the boy under his wing. Is this latest gesture a softening that leaves Phil exposed, or a plot twisting further into menace?

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Mary is an ordinary young girl stuck in the country with her Great-Aunt Charlotte and seemingly no adventures or friends in sight. She follows a mysterious cat into the nearby forest, where she discovers an old broomstick and the strange Fly-by-Night flower, a rare plant that blossoms only once every seven years and only in that forest. Together the flower and the broomstick whisk Mary above the clouds and far away to Endor College – a school of magic run by headmistress Madam Mumblechook and the brilliant Doctor Dee. But there are terrible things happening at the school, and, when Mary tells a lie, she must risk her life to try to set things right. Based on Mary Stewart’s 1971 classic children’s book “The Little Broomstick”, “Mary and The Witch’s Flower” is an action-packed film full of jaw-dropping imaginative worlds, ingenious characters, and the stirring, heartfelt story of a young girl trying to find a place in the world. Featuring the voices of Ruby Barnhill and Academy …

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An emotionally distant writer of travel guides must carry on with his life after his son is killed and his marriage crumbles.

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A shipping disaster in the 19th Century has stranded a man and woman in the wilds of Africa. The lady is pregnant, and gives birth to a son in their tree house. Soon after, a family of apes stumble across the house and in the ensuing panic, both parents are killed. A female ape takes the tiny boy as a replacement for her own dead infant, and raises him as her son. Twenty years later, Captaine Phillippe D’Arnot discovers the man who thinks he is an ape. Evidence in the tree house leads him to believe that he is the direct descendant of the Earl of Greystoke, and thus takes it upon himself to return the man to civilization.

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Leah, 10, lives in a large vicarage, full of lost souls and the needy. In the day the house is bustling with people; at night it is dark, empty, a space for Leah’s nightmares to creep into. A small, nightly visitor brings Leah comfort, but soon she will realise that her little visitor offers knowledge that might be very, very dangerous.

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Young writer Richard Collier is met on the opening night of his first play by an old lady who begs him to “Come back to me”. Mystified, he tries to find out about her, and learns that she is a famous stage actress from the early 1900s, Elise McKenna. Becoming more and more obsessed with her, he manages, by self hypnosis, to travel back in time where he meets her. They fall in love, a matching that is not appreciated by her manager. Can their love outlast the immense problems caused by their “time” difference? And can Richard remain in a time that is not his?

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BRITT MacMASTERS, a U.S. Marshal who rarely brings them back alive, returns home from the trail to discover his 12-year-old son, CHAD, has been kidnapped by outlaws – JED BLAKE and his gang. Enlisting the help of Indian guide, CHASKA, along with CLAY TUCKER, a prejudiced deputy who doesn’t trust the guide, Britt sets out into dangerous Sioux territory. As Jed lures the Marshal into his deadly ambush, he finds the captive boy a formidable and slippery opponent, with several escape attempts that return vicious beatings for Chad, and an unexpected tree branch thrust into Jed’s eye. Furious with revenge, and with the threat of the merciless Sioux warriors around the bend, Jed’s bloody injuries leave him a man crumbling on the brink of insanity. As the search party moves deeper into the Red Desert, Tucker’s racist views towards Britt’s Indian friend is deeply challenged when Chaska saves him from a close call with a Sioux warrior’s knife. With both sides succumbing to brutal attacks and scalped heads, Britt races against time to confront the crazed outlaw and save his dying son. Meanwhile, spiraling further into madness, and fearing the Marshal may have fallen prey to the warriors, Jed turns his pistol to his young captive for a game of “Catch the Bullet.” Before Chad can answer, an unseen Britt responds: “I’ll play with ya.” Trembling with crazed delight, Jed is face to face with his enemy.

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Today is righteous Chae-young’s first day of her transferred school after beaten a bully to nothing. Despite the dad’s warning, she saves her classmate Jong-gu from bullies again. Fascinated by her, Jong-gu asks how to be strong like her.

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