
A town’s Sheriff and regular patron of a historical whorehouse fights to keep it running when a television reporter targets it as the Devil’s playhouse.

A town’s Sheriff and regular patron of a historical whorehouse fights to keep it running when a television reporter targets it as the Devil’s playhouse.

Pauline, Petrova, and Posy Fossil live with Sylvia Brown, their guardian. Money is tight and as the story opens, three boarders – a garage owner, a retired English professor, and a dance teacher – come to stay. Theo Dane, the dance teacher, has the girls accepted at her school by the formidable Madame, and the three go on the stage to help raise money. Each discovers her talents – Pauline as an actress, Petrova in fixing engines, and Posy as a dancer.

When teenage Yi (Chloe Bennet, Marvel’s Agents of S.H.I.E.L.D.) encounters a young Yeti on the roof of her apartment building in Shanghai, she and her mischievous friends, Jin (Tenzing Norgay Trainor) and Peng (Albert Tsai), name him “Everest” and embark on an epic quest to reunite the magical creature with his family at the highest point on Earth. But the trio of friends will have to stay one-step ahead of Burnish (Eddie Izzard), a wealthy man intent on capturing a Yeti, and zoologist Dr. Zara (Sarah Paulson) to help Everest get home.
More than just an epic war tale, it deserves a standing ovation. This film is an example of an extremely strong narrative accompanied by excellent cinematography and superbly executed war scenes.

This Beautifully Filmed Historical Epic recounts the early life of Genghis Khan who was a slave before going on to conquer half the world including Russia in 1206. Mongol vividly captures the beauty and brutality of ancient Mongolia. Beginning in 1172 and ending in 1206, Sergei Bodrov’s Oscar-nominated epic presents future conqueror Ghengis Khan as more lover–and fighter–than diplomat. Against his father Esegui’s wishes, nine-year-old Temudjin chooses his own bride, whom he marries in the years to come. Hopes for the future, however, turns to thoughts of vengeance when the clan forsakes the boy upon Esegui’s death.

This is a Sherlock Holmes story with a difference. Here, Dr. Watson is the ace detective and has been using an actor to play the part Holmes. Holmes is a drunken actor and gets on Watson’s nerves. When Watson tries to go it alone, he doesn’t have much success, so he is forced to let Holmes take all the credit once more.

The year is 2034, and the face of terrorism has changed. No longer restricted to the limits of the physical world, the war on terror has exploded on the net. In an attempt to confront this new threat, an elite counter-terrorism and anti-crime unit was formed: Public Security Section 9. Two years have since passed when the team’s commander: Major motoko Kusanagi, resigned from her post. After a rash of mysterious suicides Section 9 is forced to confront the ”Puppeteer,” a dangerous hacker with unsurpassed skills. As their investigation of this terrorist threat takes them deeper into the bowels of a potential government conspiracy, Section 9 once again crosses paths with the Major, but is her sudden reappearance more than a coincidence, or is she somehow connected to the ”Puppeteer?”

A family scandal causes a wealthy and powerful Mexican rancher to make the pronouncement–‘Bring me the head of Alfredo Garcia!’ Two of the bounty-hunters thus dispatched encounter a local piano-player in their hunt for information. The piano-player does a little investigating on his own and finds out that his girlfriend knows of Garcia’s death and last resting place. Thinking that he can make some easy money and gain financial security for he and his (now) fiancée, they set off on this goal. Of course, this quest only brings him untold misery, in the form of trademark Peckinpah violence.

Tells the story of a woman who smashed through the barriers of gender and class to be heard in a male-dominated world. The story concerns power and the price that is paid for power, and is a surprising and insightful portrait of an extraordinary and complex woman

Having died unexpectedly, firefighter Ja-hong is taken to the afterlife by 3 afterlife guardians. Only when he passes 7 trials over 49 days and proves he was innocent in human life, he’s able to reincarnate, and his 3 afterlife guardians are by his side to defend him in trial.

17-year-old Casey studies hard as she prepares for her college admission examination. Her parents forbid her from getting into a romantic relationship so that she can focus on her studies, but like all teenage girls, Casey dreams of having a boyfriend. Her dream is soon realised as she starts to go out with Elton, who sits in front of her in class, but their relationship is short-lived as Elton breaks her heart. Few years later, the two meets each other again, and love sparks once more. But with the appearance of another man – the perfect guy Adam – in Casey’ life, she has to make a truly hard decision as she also learns the truth behind Elton’s breakup.

4 Harlem teens, Q, Bishop, Raheem and Steel, are out skipping school one day when they find out an old friend was killed in a shootout at a bar. After this, Bishop tells his friends that they have no respect, or juice. To get some, they rob a corner grocery store, but things take an unexpected turn. Only the four friends know what happened, but one of them is out for himself.

STARLET explores the unlikely cross-generational friendship between 21 year-old Jane (Dree Hemingway), and the elderly Sadie (Besedka Johnson), two women whose worlds collide in California’s San Fernando Valley. Jane, an aspiring actress, spends her time getting high with her dysfunctional roommates, Melissa and Mikey (Stella Maeve and James Ransone), while caring for her Chihuahua, Starlet. Sadie, a widow, passes her days alone, tending to her flower garden. After a confrontation between the women at Sadie’s yard sale, Jane uncovers a hidden stash of money inside a relic from Sadie’s past. Jane attempts to befriend the caustic older woman in an effort to solve her dilemma and secrets emerge as their relationship grows. Director Sean Baker continues in the naturalistic style of his previous films, the award-winning and Spirit Award nominees PRINCE OF BROADWAY and TAKE OUT, capturing the rhythms of everyday life with an authenticity rarely seen in cinema. Featuring a pair of …