A group of college friends rent an Airbnb for the biggest music festival of the year. A weekend of partying quickly takes a turn, as the group is murdered one by one.

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A U.S. submarine, the USS Tampa Bay, vanishes while shadowing a Russian Akula-class submarine in the Arctic. Rear Admiral John Fisk sends a Virginia-class submarine, the USS Arkansas, under the command of newly-promoted and unorthodox Commander Joe Glass to investigate. At the same time, a Navy SEAL team under the command of Lieutenant Bill Beaman is sent in to discreetly observe a Russian naval base, but their mission is swiftly complicated when Martinelli, the team’s new DM recruit, is rendered unconscious during the HALO drop. When they arrive at the naval base, they witness defense minister Dmitri Durov conducting a coup d’eta and taking Russian President Zakarin prisoner, and swiftly realize that Durov intends to trigger a war..

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A retired sheriff and his wife, grieving over the death of their son, set out to find their only grandson.

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It’s during a term studying animal euthanasia that veterinary student Rose (Ann Skelly) decides to contact Ellen (Orla Brady), the birth mother who gave her up for adoption. But Ellen, who is now a successful London-based actress, doesn’t want to know. Undeterred, Rose will not be ignored. And curiosity leads her to discoveries that shake the fragile identity she has built for herself. Directors Christine Molloy and Joe Lawlor, also known as Desperate Optimists, have spent years making formally rigorous, atmospheric cinema that often deals with the uncanny effects of impersonation and the slippery nature of truth. With Rose Plays Julie (2019) hey have crafted a slow-burn thriller that builds a sense of dread inside an exquisite world of immaculate architecture, rendered through an icy performance style and enveloped by a claustrophobic soundtrack. Ann Skelly and Orla Brady are both exacting and measured in their delivery, as the film takes us through longing and revenge to arrive at the dark places of power and its abuses. This is frank, immersive and decidedly feminist filmmaking.

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The disappearance of a young Cree woman in Toronto traumatizes her Northern Ontario family, and sends her twin sister on a journey south to find her.

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When a routine traffic stop results in the unexplained, grisly death of her colleague, a cop (Mary J. Blige) realizes footage of the incident will play for her eyes only. As the attacks mount, she races to understand the supernatural force behind them.

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An Earth-born outlaw who came of age in space, Peter “Star-Lord” Quill joins with four idiosyncratic aliens, including a bounty-hunting raccoon and a living tree, to recover a coveted infinity stone and fight an intergalactic evil.

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The story of two animals and their adventures. Milo, the cat, and Otis, the dog, are two animals who grew up together on the same farm. One day, the two are separated and begin a journey to find each other. The adventurous, and often perilous quest finds the two animals traveling across mountains, plains, and snow-covered lands searching for one another.

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Two struggling friends who came up together in Detroit scheme to cash in when the state starts doling out billions in COVID relief funds.

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While flying to his father’s funeral in rural Appalachia, an intense storm causes Marquis (Omari Hardwick) to lose control of the plane carrying him and his family. He awakens wounded, alone and trapped in Ms. Eloise’s (Loretta Devine) attic, who claims she can nurse him back to health with the Boogity, a Hoodoo figure she has made from his blood and skin. Unable to call for help, Marquis desperately tries to outwit and break free from her dark magic and save his family from a sinister ritual before the rise of the blood moon.

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The term “blood quantum” refers to a colonial blood measurement system that is used to determine an individual’s Indigenous status, and is criticized as a tool of control and erasure of Indigenous peoples. The words take on even more provocative implications as the title of Jeff Barnaby’s sophomore feature, which grimly depicts an apocalyptic scenario where in an isolated “Mi’gmaq” community discover they are the only humans immune to a zombie plague. As the citizens of surrounding cities flee to the “Mi’gmaq” reserve in search of refuge from the outbreak, the community must reckon with whether to let the outsiders in – and thus risk not just the extinction of their tribe but of humanity, period. The severe and scathing portrait of post-colonial Indigenous life and culture that Barnaby previously captured in the acclaimed Rhymes for Young Ghouls here deftly collides with the iconography and violent hyperbole typical of the zombie genre. The Undead are spectacularly and gruesomely …

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One of the few remaining drone repairmen assigned to Earth, its surface devastated after decades of war with the alien Scavs, discovers a crashed spacecraft with contents that bring into question everything he believed about the war, and may even put the fate of mankind in his hands.

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